<H1>
Vancouver Classical Music
</H1> |
<H1> Home </H1> |
<H1> BEST MUSICAL EVENTS OF 2019 </H1> |
<H1> VANCLASSICAL GOES INTERNATIONAL </H1> |
<H2> Affiliates </H2> |
<H2> Out-of-Town </H2> |
<H2> UBC School of Music </H2> |
<H2> Student Tickets </H2> |
<H2> CD Reviews </H2> |
<H2> International Concert Reviews </H2> |
<H2> 2019-2020 Postings </H2> |
<H2> 2018-2019 POSTINGS </H2> |
<H3> REVIEW: CONSTANTINOPLE FINDS ENCHANTMENT IN THE MUSIC OF DIMITRIE CANTEMIR </H3> |
<H3> REVIEW: LA MODESTINE UNCOVERS SOME LITTLE 17TH CENTURY GEMS FROM ITALY AND AUSTRIA </H3> |
<H3> REVIEW: AN INTIMATE AND SPONTANEOUS LA VOIX HUMAINE FOR VANCOUVER OPERA’S DIGITAL DEBUT </H3> |
<H3> REVIEW: JAMES EHNES BRINGS THE VSO BACK INTO ACTION WITH BACH AND BEETHOVEN </H3> |
<H3> THREE DIGITAL CONCERT SEASONS ARRIVE FOR THE FALL </H3> |
<H3> REVIEW: THE JOYS OF ANGELA HEWITT’S ‘BACH ODYSSEY’ AT UBC </H3> |
<H3> REVIEW: PAUL LEWIS AND STEVEN OSBORNE SPARKLE IN THE FRENCH 4-HAND REPERTOIRE </H3> |
<H3> REVIEW: NEW ADVENTURES FOR MARC-ANDRÉ HAMELIN AND THE DORIC STRING QUARTET </H3> |
<H3> THE GREAT CANADIAN ARTISTS: </H3> |
<H3> AN INTERVIEW WITH PIANIST LOUIS LORTIE </H3> |
<H3> REVIEW: A BARBER OF SEVILLE PROPELLED BY THE SINGING OF ITS LEADS </H3> |
<H3> REVIEW: THE FAUST-QUEYRAS-MELNIKOV TRIO’S BEETHOVEN BRINGS MIXED RESULTS </H3> |
<H3> REVIEW: PATRICIAN INSIGHT FROM GIDON KREMER IN A WIDE-RANGING VSO CONCERT </H3> |
<H3> REVIEW: A PATHBREAKING AND SPLENDID ‘THE PASSENGER’ FROM UBC OPERA </H3> |
<H3> REVIEW: AN EVENING OF FRENCH VARIETY WITH JUN MÄRKL </H3> |
<H3> REVIEW: THE 2020 VSO NEW MUSIC FESTIVAL FINDS RANGE AND CINEMATIC VARIETY </H3> |
<H3> REVIEW: BRUCE DICKEY AND HIS SOLOISTS FIND A RICH VENETIAN SPLENDOUR </H3> |
<H3> REVIEW: SHEKU KANNEH-MASON CONTINUES TO AWE AND DELIGHT IN HIS RETURN VISIT </H3> |
<H3> INTERVIEW: TOUCHING BASE WITH RUSSIAN PIANIST ZLATA CHOCHIEVA </H3> |
<H3> REVIEW: CONSTANTIN TRINKS AND THE VSO WELCOME THE CHRISTMAS SEASON IN STYLE </H3> |
<H3> REVIEW: OTTO TAUSK’S QUEST FOR AUTHENTIC STYLE PAYS DIVIDENDS IN MOZART’S REQUIEM AND SCHUBERT </H3> |
<H3> REVIEW: TON KOOPMAN: FULL OF ENERGY AND SPIRIT AT 75 </H3> |
<H3> REVIEW: ZLATA CHOCHIEVA SHOWCASES HER STUNNING CHOPIN AND RACHMANINOFF </H3> |
<H3> REVIEW: THE ‘MAGIC’ OF ALBRECHT MAYER’S OBOE </H3> |
<H3> REVIEW: THE Z.E.N. TRIO: SEEKERS OF MUSICAL TRUTH </H3> |
<H3> REVIEW: A LA TRAVIATA THAT ENTICES AND SPARKLES AS IT SHOULD </H3> |
<H3> Review: THE BEAUTIFULLY-TONED BENNEWITZ QUARTET CARRY ON A CZECH TRADITION </H3> |
<H3> REVIEW: DANIIL TRIFONOV LEADS THE VSO FORWARD INTO ITS 101ST SEASON </H3> |
<H3> REVIEW: SUPERB PURCELL AND HANDEL CLOSE OUT THE 2019 BACH FESTIVAL </H3> |
<H3> REVIEW: RADIANT SINGING IN THE CANTATAS TAKES THE FIRST WEEK OF THE 2019 VANCOUVER BACH FESTIVAL TO ITS HEIGHTS </H3> |
<H3> THE UP-AND-COMING CANADIAN ARTISTS: </H3> |
<H3> AN INTERVIEW WITH PIANIST CHARLES RICHARD-HAMELIN </H3> |
<H3> THE GREAT CANADIAN ARTISTS: </H3> |
<H3> AN INTERVIEW WITH CELLIST JOHANNES MOSER </H3> |
<H3> ALEXANDRE KANTOROW – GOLD MEDAL WINNER IN THE 2019 TCHAIKOVSKY INTERNATIONAL PIANO COMPETITION </H3> |
<H3> REVIEW: THE VSO100 CLOSING CONCERTS AFFIRM A SPECIAL LEGACY </H3> |
<H3> ‘MUSICAL MAGIC’: AN INTERVIEW WITH NORWEGIAN VIOLINIST HENNING KRAGGERUD </H3> |
<H3> FEATURED INTERVIEW </H3> |
<H3> THE GREAT CANADIAN ARTISTS: AN INTERVIEW WITH MARC-ANDRÉ HAMELIN </H3> |
<H3> AN INTERVIEW WITH RAFAL BLECHACZ </H3> |
<H3> INTERVIEW: THE MULTI-TASKED BARRY DOUGLAS AND THE SPIRIT OF IRELAND </H3> |
<H3> JIRI BELOHLAVEK, THE CZECH CONDUCTING TRADITION AND THE CANADIAN LINK </H3> |
<H3> INTERVIEW: CATCHING UP WITH THE BRITISH PIANO SENSATION BENJAMIN GROSVENOR </H3> |
<H3> FEATURED INTERVIEW </H3> |
<H3> THE GREAT CANADIAN ARTISTS: AN INTERVIEW WITH VIOLINIST JAMES EHNES </H3> |
<H3> FEATURED INTERVIEW: ‘GOING DEEP’ WITH PIANIST KIRILL GERSTEIN </H3> |
<H3> CELEBRATING THE WEST COAST COMPOSERS: JEAN COULTHARD (1908-2000) </H3> |
<H3> THE REJUVENATION OF THE CANADIAN MUSIC CENTRE: AN INTERVIEW WITH BC REGIONAL DIRECTOR SEAN BICKERTON </H3> |
<H3> FOUR DECADES OF HISTORICAL PERFORMANCE: AN INTERVIEW WITH VIOLINIST MONICA HUGGETT </H3> |
<H3> IN MEMORIAM: SIR NEVILLE MARRINER (15 April 1924 – 2 October 2016): AN APPRECIATION OF A 20TH CENTURY PIONEER </H3> |
<H3> THE PURSUIT OF DISCOVERY: AN INTERVIEW WITH CONDUCTOR JOHN STORGARDS </H3> |
<H3> FEATURED INTERVIEW: ENTERING THE ECLECTIC UNIVERSE OF PIANIST STEPHEN HOUGH </H3> |
<H3> INTERVIEW: MATTHEW WHITE DISCUSSES THE NEW ENERGY AND INTEGRATION IN ‘EARLY MUSIC’ IN THE NORTHWEST </H3> |
<H3> FEATURED INTERVIEW: THE BORODIN QUARTET SPEAK ON THE SHOSTAKOVICH QUARTETS AND THEIR LEGACY: A CELEBRATION OF THE 70TH ANNIVERSARY TOUR </H3> |
<H3> THE GREAT CANADIAN ARTISTS: AN INTERVIEW WITH PIANIST ANGELA HEWITT </H3> |
<H3> ARTICLE: THE RISE OF THE FEMALE CONDUCTOR </H3> |
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